Bristol's Backyard Wine Gardens: Grape-Treading Grapes in Urban Gardens
Every 20 minutes or so, an ageing diesel railway carriage pulls into a spray-painted station. Nearby, a police siren pierces the near-constant traffic drone. Daily travelers rush by collapsing, ivy-draped fencing panels as storm clouds gather.
This is perhaps the last place you expect to find a perfectly formed grape-growing plot. But one local grower has cultivated 40 mature vines sagging with plump purplish berries on a rambling allotment situated between a row of historic homes and a commuter railway just north of the city downtown.
"I've noticed people concealing illegal substances or whatever in the shrubbery," states the grower. "But you just get on with it ... and continue caring for your vines."
Bayliss-Smith, 46, a documentary cameraman who also has a kombucha drinks business, is among several local vintner. He's pulled together a informal group of growers who make vintage from four discreet city grape gardens nestled in private yards and allotments throughout the city. It is sufficiently underground to have an official name yet, but the collective's messaging chat is called Grape Expectations.
City Wine Gardens Around the Globe
To date, Bayliss-Smith's plot is the only one registered in the Urban Vineyards Association's forthcoming global directory, which features better-known city vineyards such as the 1,800 vines on the slopes of Paris's historic artistic district neighbourhood and over three thousand grapevines with views of and within the Italian city. Based in Italy non-profit association is at the vanguard of a movement re-establishing urban grape cultivation in traditional winemaking nations, but has identified them throughout the world, including cities in East Asia, South Asia and Uzbekistan.
"Vineyards assist urban areas stay greener and more diverse. They preserve land from construction by creating long-term, yielding agricultural units inside cities," says the association's president.
Like all wines, those created in cities are a result of the earth the plants thrive in, the vagaries of the climate and the people who care for the fruit. "Each vintage embodies the beauty, local spirit, environment and heritage of a city," adds the president.
Unknown Eastern European Variety
Returning to the city, the grower is in a race against time to gather the vines he cultivated from a plant abandoned in his allotment by a Polish family. If the rain arrives, then the pigeons may seize their chance to feast once more. "Here we have the mystery Eastern European variety," he comments, as he cleans damaged and mouldy grapes from the shimmering bunches. "The variety remains uncertain what variety they are, but they are certainly disease-resistant. In contrast to premium grapes – Pinot Noir, white wine grapes and other famous European varieties – you need not spray them with pesticides ... this is possibly a unique cultivar that was bred by the Eastern Bloc."
Group Activities Across Bristol
The other members of the group are also making the most of bright periods between bursts of fall precipitation. On the terrace overlooking Bristol's shimmering harbour, where historic trading ships once floated with casks of wine from France and the Iberian peninsula, Katy Grant is harvesting her rondo grapes from approximately fifty plants. "I adore the aroma of these vines. It is so evocative," she remarks, stopping with a container of fruit resting on her shoulder. "It recalls the fragrance of Provence when you open the vehicle windows on holiday."
Grant, 52, who has spent over 20 years working for humanitarian organizations in war-torn regions, unexpectedly inherited the vineyard when she moved back to the United Kingdom from Kenya with her household in 2018. She experienced an strong responsibility to look after the grapevines in the yard of their new home. "This plot has previously survived three different owners," she says. "I really like the concept of environmental care – of passing this on to future caretakers so they keep cultivating from the soil."
Sloping Vineyards and Natural Production
A short walk away, the final two members of the collective are hard at work on the precipitous slopes of the local river valley. One filmmaker has established over one hundred fifty vines situated on terraces in her wild half-acre garden, which descends towards the muddy River Avon. "Visitors frequently express amazement," she notes, gesturing towards the tangled grape garden. "It's astonishing to them they can see rows of vines in a city street."
Today, the filmmaker, sixty, is picking clusters of deep violet dark berries from lines of plants arranged along the cliff-side with the assistance of her child, her family member. Scofield, a wildlife and conservation film-maker who has contributed to streaming service's Great National Parks series and television network's gardening shows, was inspired to cultivate vines after seeing her neighbour's vines. She has learned that hobbyists can produce interesting, enjoyable traditional vintage, which can command prices of more than seven pounds a glass in the growing number of wine bars specialising in minimal-intervention wines. "It's just incredibly satisfying that you can truly create quality, traditional vintage," she says. "It is quite on trend, but really it's resurrecting an old way of making wine."
"During foot-stomping the grapes, the various natural microorganisms are released from the surfaces and enter the juice," says the winemaker, partially submerged in a container of small branches, pips and crimson juice. "This represents how wines were historically produced, but commercial producers introduce preservatives to eliminate the wild yeast and subsequently add a lab-grown culture."
Challenging Conditions and Creative Solutions
In the immediate vicinity active senior another cultivator, who inspired Scofield to establish her vines, has assembled his companions to pick Chardonnay grapes from one hundred vines he has laid out neatly across multiple levels. Reeve, a Lancashire-born PE teacher who worked at Bristol University developed a passion for viticulture on regular visits to France. But it is a challenge to cultivate this particular variety in the dampness of the valley, with cooling tides sweeping in and out from the Bristol Channel. "I wanted to make Burgundian wines here, which is a bit bonkers," says the retiree with amusement. "This variety is slow-maturing and particularly vulnerable to fungal infections."
"I wanted to make European-style vintages here, which is a bit bonkers"
The temperamental local weather is not the sole challenge faced by grape cultivators. The gardener has had to install a barrier on